Music: N. R. Raghunanthan
Cinematography: Ragul Dharuman
Editer: Kishore Te.
Music Director: N R Raghunathan
Producer: G V Prakash Kumar
Director: Vikram Sugumaran
Well-known music home G V Prakash Kumar’s first manufacturing, Madha Yaanai Koottam, is instructed by Vikram Sukumaran, former associate of the famous Balu Mahendra.
JSK Movie Organization has obtained the submission privileges of the film. The film functions newbie Kathir and Oviya in the cause positions reinforced by Viji Chandrasekhar, Vela Ramamoorthy, P Gopalakrishnan and others.
Madha Yaanai Koottam, when converted indicates ‘Group of mad elephants’. The figures of the film do exactly what a herd of mad monsters would do, go on a senseless quinton jackson ruining everything in vision for no purpose.
The film reveals with a loss of lifestyle field and every 15 moments there is another loss of lifestyle.
Jayakodi Thevar is unfortunately the man whose loss of lifestyle is being famous in a huge way with noisy music, dance, flame biscuits, and a ongoing provide of beverages and meals. As a eulogy, the performers perform about the success of the deceased man and the film changes into a flashback.
Jayakodi Thevar has two spouses and is currently remaining with his second spouse and their son Paarthi (Kathir) and little girl.
The mature spouse also has a son and little girl, but is residing under the security of her sibling. She wants nothing to do with her spouse as she seems he has tricked her.
The enmity between the mature wife’s bros and his kids and Paarthi is the core of the tale.
The moment the former listen to about Jayakodi’s loss of lifestyle, they bring his whole body out of Paarthi’s home revealing that only the mature spouse has privileges to the whole body. They do not allow Paarthi, his mom or sis to be a part of in the traditions.
Paarthi, who originally continues to be inactive, is pressured by conditions to be a part of in this ridiculous, senseless battle, where there is definitely no respect for lifestyle.
The first 50 percent of the film shows the various traditions followed after loss of lifestyle, in excellent details. We also get to know about an exciting customized known as seimurai, where family members members associates have to buy new outfits and even silver jewelry for the enduring close family members associates.
The second 50 percent is the regular revenge tale, which is completely unimaginative and tedious. Oviya performs Kathir’s really like attention and has definitely nothing to do in the film. Kathir seems simply to stroll around like Vishal and though he does have the size and designed to bring off the part, his experience looks too simple and guileless to show the extreme hate and rage. All the other figures, however, have been selected well: threatening lungi-clad challenging people, with the ever existing aruva in their arms and of course the genuine language of Theni.
The music and qualifications ranking by N R Raghunanthan and cinematography by Ragul Dharuman, who has skilfully taken the feelings and establishing of the film is definitely a plus.
Director Vikram Sukumaran’s Madha Yaanai Koottam offers with many emotions: hate, revenge, disloyality, worry. But pleasure and rage seems to take priority and the film gradually finishes in a mad quinton jackson of revenge, extremely slaughtering everything in vision.
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Madha Yaanai Kootam Official Trailer