Music Director: Ravi Shankar
Editor: Siddhartha Thatholu
Writer: Chaitanya Prasad, Radha Krishna
Producer: Dasari Kiran kumar
Director: Ram Gopal Varma
Motivated by the lifetime of Vangaveeti bros, Radha and Ranga, the video records a pathway of intense murders that shaken Vijayawada between 1972 to 1988 — beginning from the intense lynching of CPI innovator Chalasani Venkataratnam 1972 to the ultimate assasination of Ranga in 1988.
There has to be a problem when the smartest portion of this reality-inspired androgenic hormone or testosterone packed tale of Rowdyism finishes up to be music that goes Na Pere Kumari. No pun developed. The a sense of fun of collections like Adiarani teguvani, taragani telivini, pratioka gadapa ki telipina maguvani, adigithe varamuni, edirite godavani, evadiki bedarani, kaliyuga durgani accented by you perform and choreography add up for making an captivating release music of the most beautiful vision of the video — Dona Ganguly. Enjoying the spouse of Ranga, it seemed like she didn’t have to perform too difficult to face out in a movie loaded with a variety of not-so-dapper men.
The movie is made like a docudrama that recreates a number of murders that took position over an interval of 18 decades, in gory information. The story moves around five murders, those of Venkataratnam, Radha, Gandhi, Murali and Ranga, comprise the rotates around which the story moves with RGV stuffing in the losing pieces with his voice-over as the group conflicts open up. When creating a movie about high-profile real-life occurrences that occurred three to four decades ago, it’s difficult to add a new exposure. Everything that has to be said about the trend of Rowdyism that surrounded Vijayawada in the 70’s and 80’s has been said already. So what the video does is try to reimagine some blood vessels curdling information regarding the intense characteristics of the gang-wars, and is successful at some level. But there is little more than that.
The performing is the the most fragile weblink. While it’s amazing how Sandeep and Sritej look like reflection pictures of the delayed Vangaveeti Ranga and Devineni Nehru respectively, but their efficiency does not have the necessary gravita and they end up looking like meek caricatures of the greater than lifestyle men they are playing. And the ranking loaded with plenty of musings about loss of life, vengeance, rage and goddess durga just finishes up being a problem in the hearing.
We’re scared it’s another of those RGV’s films, where the material doesn’t quite complement with the buzz around it.
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