Music: Vijai Bulganin
Producer: Pradeep Chandra, A.mohan
Director: Nandu Mallela
Story:Raju (Naresh) and Rao (Ravi Kale) return their infants in the medical center due to some inevitable conditions. As they return their kids, they choose to be the same community.
The real story starts when the kids develop up as Maddy(Anil) and Maggie(Mahima) and really like each other.
REVIEW: A choice taken by two people has an enormous effect on them as well as their specific members of the family members. Several years later, when the inevitable happens, they need to reevaluate their choice that was expected to be in everyone’s needs.
Madhu (Anil) and Maggie (Mahima) cannot see eye to eye, although their specific members of the family members discuss helpful interaction. But then Cupid attacks and soon enough, they strategy to get married — something that does not go down well with their specific dads, after all the initiatives they took to make sure that they don’t drop madly for each other. Now, Raju (Naresh) and Rao (Ravi Kale) have to hatch out a fringe movement to avoid the wedding.
Sure, they had changed Madhu and Maggie the day they were created. But what was the key purpose why behind it? Why do they worry the couple’s partnership despite being on the best of terms? What made Madhu and Maggie force all their anger aside and be seduced by each other? The suspense is unravelled bit by bit, and saying anything further could mess up your film time frame.
This film is a clear performer, one that will attack a note members of the family members members viewers. After developing the story range, the video becomes foreseeable meaning that the responsibility changes to discovering the chemical make up between the cause couple, their misunderstandings and lastly, their dropping for each other. Movie director Nandu Mallela tries to make up for this through funny and does be successful to a certain level.
Background songs by Vijay Bulganin is more enjoyable that any of the songs. The significant disadvantage could be the slowly speed of narration.
As for the activities, Naresh is relaxed in his part, but Him is amazing. Anil and Mahima too fit completely into their figures. The director does not get obsessive with their characterisations and properly results in the heavy-duty psychological moments to the experts, Naresh and Him.
In the ejaculation field, the director could perhaps have gone in for a ‘touch’ that would set up his personality but he goes in for one that’s deadbeat. Nevertheless, ‘Rendu Rellu Aaru’ is an sincere and relaxing effort.
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